Armond, I forgot one, in 1988 I had the pleasure of playing the Falconi pianos at the Saint Louis Convention, this was the only other time the real piano sound was made. Mr. Falconi let me go in the separate room with his pianos and play them for 3 hours from 6-9AM. I couldn't stop playing them. Renner actions. One small tensioneer at the top treble. Every note on those pianos had a perfect and full bell like tone. So powerful and clear and also so soft and sleepy if you wanted. oh hell, i'm just in a reminiscing mood, somebody snap me out of it. on 2/11/03 2:49 PM, Robert Goodale at rrg@unlv.edu wrote: I would be interested in hearing some opinions on tone variances between Mapes and Roslau wire. I have used both. Other than origin and color what noticable differences have some of you noticed in tone quality? I'm not certain how this could be verified without stringing two identical pianos with each type of wire and then placing them side by side. Has anyone noticed any defined brightness, fullness, or particular partial emphasis or suppressions between them? If so which seems to closer resemble the tone quality of strings originally used in 1920s-ish pianos? Just wondering, seems like a good topic for discussion. Rob Goodale, RPT Las Vegas, NV from Armond D'Ambrosio, armond@snip.net to me, without a doubt the Roslau wire is brighter and gives more higher partials on a light touch to the piano which is not desireable. this was consistent to me on all restringing jobs. being older and a pianist enjoying Oscar Peterson and Art Tatem styles i much prefer the Mape Wire and feel it is the closest to the 1920's sound. TO me this was the real musicians piano tone. one can not, in my opinion, play music on the new pianos of today which utilize high tension wire and hard hammers. it is not conducive to relaying emotion through music, unless of course it is rock and roll, then the bright sound does the trick. I stuck with, after a few mistakes, Ronsen Hammers, Mape Gold Wire, and Mape Bass Strings. a further comment is, and please don't everyone jump all over me, the piano has not been manufactured since the 1960's and by far the greatest and only real pianos of all time were made in the 1920's in this country and only in this country. I had one customer though in FL with a 6'8 Bosendorfer made in 1964, a beautiful sweet sound, very touchy instrument. Excellent. still not a Steinway, Mason and Hamlin, or a Baldwin of the old days. Same thing happened to guitars, violins, horns, etc. does anyone know why such great knowledge and craftmanship was abandoned? i think for the most the large corporations bought everyone out and mass production replace it, yes?
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