This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment Hi Alan, when designing a scale for a piano one has been told that you try to get = an even tension across the scale. Unfortunately because of other factors = in the modern piano the tension has been increased to a point that if = you tried to use a thinner longer string in the upper treble it would be = very close to breaking point of that gauge and would most certainly have = lost its required elasticity to produce good tone. In the older pianos, late 1800's and earlier what you describe was = common place. Regards Tony Caught caute@optusnet.com.au ----- Original Message -----=20 From: Alan R. Barnard=20 To: Pianotech=20 Sent: Monday, September 16, 2002 4:56 AM Subject: Re: Upright and Grand rims, was: Impressive Steinway Upright Why does the high treble scale not have slightly thinner, somewhat = longer strings? It seems to me that the short speaking lengths would = contribute to lack of sustain, excess hammer sound vs. musical tone, = difficulty in tuning etc. If breakability is a principal reason, could not the action be = modified at that end with more let-off or such. I am fully aware that this question probably is naive, based on my = limited experience, so I brace myself for incoming ... Alan Barnard ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/89/f1/19/e1/attachment.htm ---------------------- multipart/alternative attachment--
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