So it was Ron that opened the box...shame on you David I. ----- Original message ----------------------------------------> From: Ron Koval <drwoodwind@hotmail.com> To: <pianotech@ptg.org> Received: Mon, 09 Sep 2002 18:54:31 +0000 Subject: [pianotech] re: the true properties of EBVT >Bill, Ed, and other respected technicians, >I read and re-read what got thrown out on the list on this topic. As I've >been involved in this thread for many years, I thought it was time for me to >respond. Now, what got me to write is this: >Bill Bremmer wrote: >Ed Foote lied and tried to escalate a fight on this list as he has done many >times in the past by saying: >>This doesn't change the fact that the ebvt creates a more tempered E-G# of >>17+cents than the F#-A# of 13.7. It is folly to think that going up two >>semitones will somehow make the F# third seem to beat faster. It doesn't, >>and the harmonic balance is poor because of it. ><snip> >(Back to Bill Bremmer) >These are the correct figures which Ed knows are correct and do not create >an imbalance but instead, Equal Beating, which is allowed under >Werkmeister's rules: >E3 17.5 >F#3 16.0 >I tune by ear, so rather than depending on a program, I listen to what I am >doing. The very last thing I would ever do is create a temperament which >has the kind of imbalances which Ed maliciously used to try to discredit >what I've been doing for 10 years. ><snip> >Back to me... >Now, without any inflammatory language, what I see here is a >misunderstanding of terms. >Ed described, using the the width of Major thirds in cents, a non-standard >progression, when comparing the latest published figures for the EBVT. Bill >responded, correctly, that BEATS, not cents, govern what we hear. However, >the above numbers, showing beats/second still show that by using the >published numbers, the Emaj third will beat one and a half beats/second >faster than the F#maj third. These numbers still support Ed's position. >So, I think the terminology of equal beating has caused some confusion. >Those of us "number crunchers" took the term very literally. Equal means >equal. This has been the difficulty making the numbers work for the EBVT.. >If we are now to accept that for the purposes of creating the temperament, >16 equals (or is close enough to) 17.5, there is a much wider range into >which this temperament may fit. >Respectfully submitted, >Ron Koval >_________________________________________________________________ >Join the world’s largest e-mail service with MSN Hotmail. >http://www.hotmail.com >_______________________________________________ >pianotech list info: https://www.moypiano.com/resources/#archives
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