The notion that lighter weight hammers produce better tone has merit, I think. Not too light, but lighter. Building up density in a soft hammer with applications of lacquer produces quality of tone that is characteristic of NY Steinway type sound. Shaping the V bar is important in getting clean termination on that side. I do it routinely on restringing jobs and it can be done by removing the strings in the capo sections, shaping and replacing them in a pinch. How sharp it is will depend on how hard the material is. It shouldn't be sharpened to a point. But down to about 0.5 mm is ok. David Love ----- Original Message ----- From: "David Ilvedson" <ilvey@sbcglobal.net> To: <pianotech@ptg.org> Sent: September 07, 2002 12:31 PM Subject: Re: Capo shape question Just how many of his ideas are actually in use today? Not to many, if any. I think he wanted the V-bar to be shaped to a point... V That seems extreme and prone to wear, possibly string breakage. Does anyone actually follow any of Ed's ideas? Removing all leads and reducing the hammer to tiny things...? I admit I haven't read his book entirely... David I. ----- Original message ----------------------------------------> From: Richard Brekne <Richard.Brekne@grieg.uib.no> To: <pianotech@ptg.org> Received: Sat, 07 Sep 2002 20:50:04 +0200 Subject: Re: Capo shape question >David Andersen wrote: >> >but capo badly shaped >> >almost flat, no V shape or even reverse U shape, more a large more or >> >less round surface. >> >> In our experience (100+ pianos) "V-ing out" the capo bar is a great way >> to improve everything about the tone of the treble. Read Ed McMorrow's >> fabulous book for a good technique...... >> >> David A. >Agreed. Best piece of advice I have seen written to date on the subject >matter IMHO. Ed's a bright fellow to be sure. >RicB >-- >Richard Brekne >RPT, N.P.T.F. >UiB, Bergen, Norway >mailto:rbrekne@broadpark.no >http://home.broadpark.no/~rbrekne/ricmain.html
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