----- Original Message ----- From: "Farrell" <mfarrel2@tampabay.rr.com> To: <pianotech@ptg.org> Sent: November 22, 2002 4:45 AM Subject: Butt-Jointed Ribs > Del either posted recently, or I read it the other day in one of his Journal articles (that I was reading for the umpteenth time) that some piano manufacturer somewhere had apparently successfully finger jointed short pieces of spruce together to make up a rib. Obviously a great use for short pieces of expensive spruce. It was Kawai. And a good idea well executed from those I saw. > > If ribs are laminated, let's say with four to eight laminations, I wonder what would be the effects of making all the rib laminations out of two butt-jointed pieces, and spreading the butt joints evenly (or preferentially) over the length of the rib. No effect if done right. Well, it better utilizes wood which is a good effect, environmentally, but --all other things being equal -- there is no discernable audible difference. > > Has anyone tried this? Is a thicker rib required to compensate for any weakness induced by the multi-segmented laminations? And if so, would scarfing the lamination butt joint effectively eliminate that weakness? What ratio of scarf? Yes. No. Ideally, the slope of the scarf should be between 8:1 and 12:1 (Come on, Terry, you know about wooden boat -- you should know this!) depending on the wood. In practice we have used something closer to 4:1 with no problems and less waste. We do not use scarfed wood generally -- we don't need to -- and I would not want to use it next to the soundboard in any case (it's under the most tension). Everywhere else it's fair game and I expect eventually well be doing it on a regular basis. > > I think I just dug a hole for myself. Here, I'll save everyone the trouble of responding: > > Terry, > Please go ahead and field test the idea and report back to list with results. > Thanks. Well, yes, there is always that approach. What a unique concept. Regards, Del
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