> Unfortunately though, as Kent pointed out in his post, the rebuilt > instrument will continue to be called a Steinway on the CD sleeve. > This is most regrettable (and a compelling reason why I prefer not to > rebuild Steinways for recording studios - why allow all your hard > work and thinking to become the opposition's advertisement?). I'm very curious Ron, if you rebuilt a Knabe or a Bechstein in such a case, would not then your hard work and thinking become an advertisement for Knabe or Bechstein? How would it differ? Terry Farrell ----- Original Message ----- From: "Overs Pianos" <sec@overspianos.com.au> To: "Pianotech" <pianotech@ptg.org> Sent: Tuesday, November 19, 2002 5:08 PM Subject: Re: When is a Steinway still a Steinway > At 9:58 PM -0500 18/11/02, Terry Farrell wrote: > > >From steinway.com: > > > >"Steinway & Sons refuses to skimp on materials, labor and effort in > >the construction of a musical instrument that is as close to > >perfection as the hand and cunning of man can make it." > > We shouldn't believe everything we read. > > At 6:55 PM -0800 18/11/02, gordon stelter wrote: > > > >Why not put Steinway, Knabe, etc. on the name board,as > >is appropriate, and a little booklet inside the piano > >explaining your modifications, and other > >specifications of the rebuilding, for all posterity to > >read? > > Thump > > Well said Gordon. I believe this is the best way to deal with this > problem. When we modify Steinway pianos, we produce a transfer which > is placed in a conspicuous place on the plate, listing the design > modifications undertaken. Frankly I don't give a toss wether the > piano I'm rebuilding is a Steinway, Kawai or anything else. Our > approach to rebuilding them is always the same. We modify each > instrument as deemed necessary (with the client's permission of > course) to create a piano which pianists will actually want to play. > I try discourage owners from engaging us rebuild instruments without > modifications. I've done this a couple of times in recent years and > regretted the outcome. > > Unfortunately though, as Kent pointed out in his post, the rebuilt > instrument will continue to be called a Steinway on the CD sleeve. > This is most regrettable (and a compelling reason why I prefer not to > rebuild Steinways for recording studios - why allow all your hard > work and thinking to become the opposition's advertisement?). In many > cases the tonal qualities of the instrument may have very little > which is creditable to the original manufacture. > > Ron O. > -- > > OVERS PIANOS > Grand piano manufacturers > ________________________ > > Web: http://www.overspianos.com.au > Email: mailto:ron@overspianos.com.au > ________________________
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