This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment ----- Original Message -----=20 From: David Love=20 To: Pianotech=20 Sent: November 17, 2002 6:57 PM Subject: When is a Steinway still a Steinway Several questions arise considering recent discussions about patent = infringements, though this takes a slightly different angle. At what = point do changes breach any tacit understandings/agreements about what = can be done to a piano and still call it that maker's piano? Does the = technician have any legal or other obligation to adhere to the designers = intention, or commit any breach by making such changes? What is the = responsibility to inform customers of such changes (say in a spec = situation with a piano for sale)? Or any other considerations that I = have not mentioned, or though of. These types of changes, I realize, = are made all the time. What obligation do we have as technicians in = such situations? Any other thoughts on the subject would be = appreciated. First, I can't think of any operative patents by Steinway that are still = in effect. Second, this situation has existed in the auto industry for, what?, = close to a century now? People have long been modifying automobiles and = trucks to varying degrees while keeping the original manufacturers label = on the front. In the late 1950s I put a bored out and otherwise = generally breathed-on Oldsmobile Rocket 88 V-8 engine in my 1951 = Chevrolet. You'd better believe I kept the Chevrolet name on it. Except = for the sound I didn't want anyone to know what was under the hood! = (They found out anyway when the rear end wouldn't absorb the stress of = all that additional power...) They have also dealt with a variety of after-market 'tuners' such as = Callaway (Corvette), AMG (Mercedes), Dinan (BMW), etc. For the most part = manufactures have ended up working closely with these tuners, helping = them where they could and using them to enhance the overall performance = of their automobiles. The tuners are able to give a select range of = customers a level of performance unavailable from the production = factories. Working together with the factories these shops have raised = the overall level of performance of several production automobiles. So = much so that occasionally a factory will buy the tuner (AMG by Mercedes, = for example) and make the tuner-enhanced automobile available as a = regular part of their line.=20 Third, I believe it is important to inform people of what is going on = inside their pianos. We go out of our way to point out where we deviate = from the original manufacturer's design and construction. In part, = because we're proud of what we do--we've worked hard to develop the = designs and techniques we use--but also because we believe the customer = always has a right to know.=20 For a while we would do work both ways. Sometimes at the customers = request we would do fairly conventional rebuilds. Eventually we stopped = doing those and for some years now have done only partial or full = redesigns and modifications. The people bringing pianos here--be they = three years old or 103 years old--know what to expect. We make sure of = it. Del ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/80/86/3d/4c/attachment.htm ---------------------- multipart/alternative attachment--
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