Interesting to hear the opposition to the Stanwood camp on assist springs. I tend to agree. I will say that I don't use assist springs as part of an action design. However, I can see how one might use them on an existing action with weight problems when you don't want to change the hammers or existing geometry, or to achieve an unusual result. For example, I have a customer who has problems with her hands. She wanted a balance weight down around 26 grams. Definitely non standard. The piano is a S&S D with Steinway hammers. The options were to turn the hammers into q-tips, move the capstan and end up with 1/2" key dip, fill the keys with lead, or add an assist spring. I opted for the assist spring. Though this is an extreme example, similar situations can arise in which that solution may be the best alternative. Under ordinary circumstances, however, I have had only compliments on evenness since I began to employ the BW method of doing a weigh-off. Minor variations in the FW seem largely imperceptible even to the most sensitive pianists. The other issue is one of design versus execution. It is one thing if a piano has a bad design that needs improving. It is another if the piano has a good design which is just poorly executed. Steinway pianos fall frequently into the later category. I think it is a good design that runs into problems with poor execution, namely, inconsistent capstan placement and mismatched hammer weights for varying action ratios. I think that before one starts monkeying with changing the characteristics of a successful design, one should be sure that the outcome is in fact what the customer wants. This can be said about other things besides action design, for example, scaling. Moreover, I think the customer should be made aware if a design change deviates considerably from standard for that manufacturer and you should have the customer sign that they agree to such a change. I have recently been called upon to undo two such changes (original work not performed by me) because the result was not what the customer expected, nor liked. Immersing ourselves in design technology it is easy to lose sight of what attracted a customer to a piano to begin with, and to start to make wholesale changes without regard to their tastes and desires. Not that we shouldn't be asking questions and looking for improvement. But we can also become arrogant and overconfident in new found knowledge and it can get us into trouble. David Love ----- Original Message ----- From: "Richard Brekne" <richard.brekne@grieg.uib.no> To: "PTG" <pianotech@ptg.org> Sent: May 29, 2002 11:34 AM Subject: Re: June Journal and FW's > > David Love wrote: > > >I don't like to use assist springs for more than about 9 - 10 grams of BW, > >or the effective weight of the wippen. I don't like the wippen to be > >lifted > >too much. Just floating is as far as I like to go. At 15 grams I find > >that > >I don't like the feel of the action. > > > Nice musing as usual David. :) > > The reason I ask is that I see a lot of variance in this assist spring issue, and for that matter whether or not the spring should be used at all. And all this goes really back to the hammer mass / FW amounts discussion. Jan Grossbach is one of Klaus Fenner's buddies. Together they have just written what is probably to date the most complete piano designers textbook. Jan is an opponent of David Stanwoods ideas, and largely bases this on a general opposition to assist springs. He takes the position (as I understand it) that says whippen assist springs should only do enough work to even out Downweight variations, and that these should be so accurate to begin with that assist springs are really superfluous. This is in principal not too awfully distant from your own observations about the difference between Stannwoods inertia priority frontweighting and the older BW priority weighting. Course you take the position that whippen assist springs could also be used to lower BW somewha! > t and Jan G doesnt go along with that at all. > > Course he is not alone. Steinway Hamburg, Schimmel, and a bunch of the others over here dont employ the whippen spring. Recently I took apart a Schimmel 6 foot Grand and found hammer SW's ranging from well over 14 grams to just about 8. I found over 65 grams of lead in a few keys. Now THAT's what I call massive amounts. In anycase we see that the field of play here is quite large indeed. Ranging from heaviest hammers of 14 + grams to 10 or below (McMorrow suggests less I believe), heaviest FW's ranging from nearly 70 grams to perhaps as little as 15 grams (perhaps less ?) and assist springs doing 20 (+?) grams of lifiting down to "they should not be used at all". > > I suppose this is one of the reasons my own choice is for what appears to be in the middle of all that for the average mean piano, tho I end up a tad on the heavy side as I am not a fan of whippen assist springs. I just think thats one more adjustment / weight contribution that can go bad or be mucked up by an inexperienced hand and that it is simply not neccessary in most cases to achieve very good and appropriate results. > > I like to give manufacturers at least some benifit of the doubt, and wonder then why they choose to seemingly ignore Stanwoods thoughts, or McMorrows for that matter. They still use what equates to rather uneven SW curves (notable exception is Steinway Hamburg over here) and the old style of Front Weighting. Some dont even go so far as to start off with any kind of pattern leading. At best this results in an even static Downweight. So WHAT basis is there really that this is to be prefered then other priorities looked at by McMorrow, and then Stanwood, and no doubt others who have not formalized their thoughts for the rest of us to read about yet ? And for that matter what real basis do any of us others have (other then what amounts to personal tastes and opinions) for what we choose ? As far as I know Stanwood, and to some degree, tho on a different tangent, our Russian friend Alexander Galembo are the only folks too formally look into the matter and their results are quite ! > different. > > > > > Richard Brekne > RPT NPTF > Griegakadamiet UiB > >
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