Greg Newell wrote: > This is interesting to me as I have never observed an 8 cent correction > that was as unstable as all you folks lead one to believe. Could it > possibly be because the piano is older and the strings just aren't > rendering as well anymore? If unequal tensions are set up in the various > string segments that could certainly account for the gross instability that > is so often talked about. Any thoughts? > > Greg Newell > Me neither Greg. I just did a 440 to 442 pitch change and back again last week on a D. Actually it was from 442 to 440 and back to 442. An American blues group came in and demanded the pitch be at 440 so we simply had to lower it. No biggie really, tho I always end up useing an extra 15 minutes or so. I wouldnt call that gross instability by any means. Same thing going back up. Never heard this idea that changing pitch had anything to do with strings climbing up the pins before either. Cant really see why they should unless there is some major negative bearing just waiting to get released.... but might be fun to take a look see next time I do one of these. I figure on 2 full concert tunings for these jobs and set off 2 hours each, usually am done satisfying myself in 1.5 hours. -- Richard Brekne RPT, N.P.T.F. Bergen, Norway mailto:rbrekne@broadpark.no http://home.broadpark.no/~rbrekne/ricmain.html
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