On Wed, 1 May 2002 16:23:09 -0400, "Farrell" <mfarrel2@tampabay.rr.com> said: > I assume your two questions are one in the same. To answer your > question, forget adding wound tricords. If you want to switch from > plain tricords to wound bicords, just use the two outer holes of the > agraffe and the two outer sets of bridge pins. Existing hitch pins may > work fine, or you may need to cut the old ones off (or puch them out) > and install new pins. Really quite easy to do. > > Suggestion: If you just want to replace old strings and not take the > plate out and not improve the bridges, etc., just duplicate the old > strings. If you want to do a complete job, then tear it apart and do it > right. I don't want to take the plate out. The bass bridge does have some small cracks on the speaking side hitch pins, so they would need to be glued. I could settle for using the same scale. If I change anything about it, though, I do not want any wound strings above C3. (that's the lowest plain trichord now.) > > Terry Farrell > > ----- Original Message ----- > From: "Stephen Airy" <stephenairy@fastmail.fm> > To: "Piano Tech list - PTG" <pianotech@ptg.org> > Sent: Wednesday, May 01, 2002 12:33 PM > Subject: Re: Sanderson Scaling/Terry F > > > My 56" upright has plain wires down to C3 (27-note bass). If I have it > > rescaled, is there a way to do it without changing to wound bichords, > > or is there a way to use wound trichords in the tenor if I need wound > > strings there? > > > Is it possible, say, on a large grand (like 7 foot or longer) with > > non-individual-hitch-pin plain wire scaling (the type in which the > > string comes from a tuning pin, around the hitch pin, and the same > > piece of wire goes to the next tuning pin), to change plain trichords > > to wound trichords? > > > > On Wed, 01 May 2002 10:19:49 -0400, "Newton Hunt" <nhunt@optonline.net> > > said: > > > Trichords can be replaced with bichords with no penalty. Easier to > > > make also. > > > > > > Newton > > > > > > Tyler Punky Smith wrote: > > > > > > > > What do all you rescaling experts think about bass scales that start > > > > with very lightly wound trichords low on the treble bridge, then into > > > > heavier bichord and monochord unisons? Intuitively, it sounds like a > > > > good idea to me, if smoothing the break as much as possible is the > > > > goal. > > > > > > > > -Tyler > > > > > > > -- > > Stephen Airy > > stephenairy@fastmail.fm > > > > -- > > http://fastmail.fm - Come on home > > -- Stephen Airy stephenairy@fastmail.fm
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