I always tune with individual rubber and felt mutes. I don't strip-mute. While practicing tuning on my Boston grand with my new Verituner yesterday, I tuned it with one pass my normal route with two mutes to get it right at pitch. Then I strip-muted it to do some experimenting with my new tuner - wanted to do some interval tests, etc. without having a bad unison goof me up. When I started my strip-muted pass, the whole darn piano was two to three cents flat. Do any of you strip-muters find that adding that little bit of extra tension to two-thirds of the strings on the piano affects pitch in a like manner? Terry Farrell ----- Original Message ----- From: "Richard Moody" <remoody@midstatesd.net> To: <pianotech@ptg.org> Sent: Friday, March 22, 2002 1:08 AM Subject: Muting high treble > > ----- Original Message ----- > From: Mickey Kessler <mickeykes2@uf.znet.com> > To: <pianotech@ptg.org> > Sent: Tuesday, March 19, 2002 8:16 PM > Subject: tuning high treble > > > | Hi all, > .........So my > | first question is, how do most of you mute top section, above the > | break? It's so hard to get to, especially on spinets. Is there a > good > | trick you can pass along? Is there a way to strip mute the whole > | thing? If so, what muting material do you use? > SNIP
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