Greetings, >> From Owen Jorgensen TUNING (actually, from the Historical >>Temperaments list of RCT, since that's >>closest reference at hand); In this list it's called the Representative > >>Victorian Moore, year 1885, comes >>right below the Tuners Guide#3. The Moore looks like a very mild step, (the F#-A# is just 15.7 cents wide, and the C-E is 9.7) which often is just the right move for the new temperament customer. I have been using something a little stronger for introductions. That is the Broadwood's Best tuning when I needed to cloak the change in some sort of historical drapery,(other times, the hi-tech origin of the Coleman series seems to appeal to the particular customer at hand). The Broadwood carries a little more color and contrast than the Moore, but both of them put a luster in the piano's harmony. A savvy tech can make the distinctions between the two by what sort of repertoire the customer is doing, but this is really a hair-splitting fine-point distinction!! I believe it was Skip Becker that told me the difference between the Broadwood's best and the Broadwood's "Usual" tuner was also a very distinctive step for him, but I couldn't tell them apart just by listening to music. The differences were apparent when checking the intervals as a tuner,though. While I agree that somewhere between 17 and 21 cents a third begins to attract attention, we should also remember that the tonal product is dependant on the performer to an extent. Enid Katahn tells me that one can play in a highly tempered key expressively or harshly, so the sound is not strictly a function of interval width. So, perhaps one of the most important points of temperament choice is how ready the pianist is for a change. Erring on the side of caution doesn't hurt, even if perchance the ephiphanies become sparser. Long term acceptance is the goal, and in this pursuit, those of us that are thowing gloves at our customers, (mea culpa, too), might profitably keep in mind something Aristotle said. He said, "It is the mark of an educated mind to be able to entertain a thought without accepting it". There is little more important to making change happen than tolerance. Regards, Ed Foote
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