Del, So what's your take on why the agraffes on the bridge both started and ceased so abruptly? I, too, have been enamored with the sustain of these instruments. However I remember somewhere hearing that these instruments also had a tendency for the bridges to pull away from the soundboard. Any truth to those tales? Tom Servinsky,RPT ----- Original Message ----- From: <JIMRPT@AOL.COM> To: <pianotech@ptg.org> Sent: Tuesday, March 05, 2002 7:10 PM Subject: Re: Sohmer > > In a message dated 05/03/02 6:50:01 PM, Erwinspiano@AOL.COM writes: > > << I don't know I liked it. It had > what I call the magic soundboard syndrome. Any things possible I guess but if > it was an accident ,which I doubt, If it ain't broke don't fix it. >> > > Yep...well put Dale!!.......... The only objection I have to the agraffed > bridges on the Sohmer 34B is a very slight nasal twang to them...but as you > say "sustain forever" and a very nice overall sound............. > > Jim Bryant (FL)
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