Dear David and Erwin, Thanks for your comments. Ari has recently changed several procedures that help reduce falseness and improve tone. I have used several sets in the past and I know of the problems and I think he does make a better string. He will make a set of strings to specifications, duplicated the original or he can rescale the set. He recently has redesigned his scaling program for several improvements. Mistakes have been made but has always tried to correct those mistakes. He tries to make a better set and I think he has succeeded. There are a number of ways to make a string and several ways to rescale a piano. We now have computers which allows us to do more math in five minutes than a month would needed before them. Issues to consider are tension, inharmonicity, breaking %, and power. Ari starts with breaking % and refines from that. I start with inharmonicity and tension and refine from there. There are lots of parameters to consider as a scale is built. We are limited to speaking lengths available but that is rarely an issue unless you are talking about a 5 footer or less, especially less. Any string winder that leaves more than 5/8" of unwound end unless in the middle section is doing you and the piano a disservice. I kept wondering why the strings I put on sounded worse than the strings I took off. I finally realized there was 1 1/4" of unwound ends at the agraffe ends. That is when I started rescaling, to control the tone but especially the inharmonicity. Newton NetZero Platinum No Banner Ads and Unlimited Access Sign Up Today - Only $9.95 per month! http://www.netzero.net
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