The "hollow paper" hammers of the Christofori is an absolute intrigue to me. How did he ever come up with the idea? Nothing but solid objects had been used in striking strings, or so I would suppose. It is strange enough that the dulcimer strikers are thin and look like wooden feathers. Yet I have never heard of keyboard striking instruments using that formation. There is scant evidence that the earliest strikers were simply modified harpsichord jacks that had no tangents but were blunt sticks propelled to the strings when the key reached its dip, left the key and bounced off of the string. One would think after the clavichord an inventor would think to propell the tangent to strike the string rather than leaving it connected to the end of the key. I think from the dulcimer players a "hammer" on a swinging shank was the inspiration for Christofori. But how did he get to a hollow hammer from a thin wooden "feather" ? Interesting that a toy piano of today uses a wooden ball on a ribbon projected from the end of the key. It doesn't block, nor blubber. I wonder why it took so long to think of this? ---ric ----- Original Message ----- From: Clark <caccola@net1plus.com> To: <pianotech@ptg.org> Sent: Friday, June 22, 2001 8:22 AM Subject: Re: pianoforte hammers | Hi, | | Two pals put covered hollow dowels to their pseudo Hubbard fp (pseudo | Stein?) which I think sounds nicer - brighter - than most reproductions | I've heard. Though I'm not sure of the historical authenticity of what | inspired this change, a recording where somebody did this to a '30s | Pleyel piccolo... | | | Clark
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