Hello, I've heard some very soft new hammers may be "punched" with a big needle only to allow laquer to flow more deeper inside. For me, voicing (or needling) does not need making "holes" in the felt, but moving the tension and density with the needles. Of course the deep needling unpack the low felt, then immediately the next shots will move up and exercise this new material. With good hammers where the felt had not been too much hardened by the warmness when glued I feel the felt in the tool, and beeing on a table with the action helps to have a good feedback in the hand. So many stabs are needed to break the rigidity of tone/felt sometime that it is more convenient to work outside (after taking marks in the piano of course) But I will not do it before gluing the hammers. and it is important to come back to hear the tone at the first alert . I've find too that the shaping and the finishing paper on a stick is of big importance. Do you know why we pack the felt after needling ? it is because , if we don't do that, the sound escape by the holes ! Isaac
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