---------------------- multipart/alternative attachment . > Phil Ford writes > > > > If what you want is the entire soundboard moving up > > and down as a diaphragm it seems to me that having > > this hinged edge attachment might come closer to > > giving that than a clamped edge arrangement. > > Actually building something workable might be > > difficult. > > And we must avoid difficulties at all cost! > > As time goes on I find myself coming closer and closer to the notion of a > hinged-edge diaphragm configuration. Our soundboards are functionally very > near that now. And my new 200 cm grand design is even closer. > > Del > Del, Phil and all This may not be completely irrelevant but since we are taliking hinged sdboard systems. I recently saw a Charles Fredrick Stein built in Chicago in the golden years. This piano was 6ft. 3 ish and beautifully rebuilt and refinished by Bob And Marcia Davis of Stockton Ca. The Original belly system was a clamped edge system only on the belly rail and near the first highest rib on the curve as I recall. The rest of the system consisted of the ribs glued on top of the inner rim ( not morticed in as usual) with the board glued to n the ribs as usual but not to the rim. Basically a free edge more or less. Dumfounded was I at the rich sining tone and broad dynamics. It made me think of your (Dels) description of tonal range/dynamics in the pp area and the power generated by a strong fundamental in the forte ranges. No clang and bang just wonderful musical power and sustain. (Bob/Marcia jump in here and add or correct anything I'm forgetting.) Happy Old/New year to all Dale Erwin ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/e3/66/c8/ea/attachment.htm ---------------------- multipart/alternative attachment--
This PTG archive page provided courtesy of Moy Piano Service, LLC