----- Original Message ----- From: "Phillip L Ford" <fordpiano@lycos.com> To: <pianotech@ptg.org> Sent: December 03, 2001 1:54 AM Subject: Re: Piano Size & Shape > > When you say that all the strings were angled toward the > center of the board does that mean the strings at the top > end are angled to the left and the strings at the bottom > end are angled to the right? Or are all the strings angled > to the right? As I recall--and, please, this was nearly 30 years ago--C-88 was perpendicular to the stretcher and the front of the piano. In my memory from that point they all angled a bit to the right. A-1 had an angle to the stretcher about like that of, say, a typical 9' overstrung piano. There were two bridges with a typical offset between the plain tri-chords and the wrapped strings. I don't really remember the scale all that well except to say that at the time I did record it and work out a new bass and tenor scale. One of the last I did by slide rule. My HeathKit calculator took over shortly thereafter. > Why would there be more load on the bridge > pins with this design than with a conventional design? It > seems that if the string makes a straight line from the > tuning pin to the hitch pin then the displacement caused > by the bridge pins would be the only thing causing load > on the bridge pins. It seems this would be the same whether > the string was straight or angled. It wasn't the loading of the strings or their angles that caused the problem. It was the spacing between the pins. Both the pin spread and the unison center-to-center spacing were crowded. Picture this in comparison to the typical overstrung string dispersion in which the string centers spread apart and the pin spacing is rather wide. The crowding of the pins had caused a great deal of splitting on the original bridge. I recall making a laminated cap using maple veneers, but lost track of the instrument a couple of years after the job was finished so I don't know how it has held up over the years. Del
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