This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment Tony wrote: "In the bass, 6 refers to the 6th partial in the high note and 3 = refers to the 3rd partial in the one octave lower note ? In the treble, 4 is the partial of the lower note and 1 is the = fundamental of the two octave higher note. ? In the bass section: What are 3:2 fifths and 6:4 fifths ? What is an octave and a fifth = denoted at. ?" OK, now, a 6/3 octave has the sixth partial of the lower note being = compared to the 3rd partial of the upper note. Fourth partial of lower note to fundamental of upper note would be = the correct test for a double octave. The fifth has a 3/2 relationship, but it doubles again an octave = higher at 6/4. I can only assume that the tunelab setting of 6/4 in the = bass would be to quiet that faster beating interval down by adding = stretch to it.=20 An octave and a fifth is a twelfth, and it's a 3/1 partial = relationship. Usually used to add stretch in a machine setting. That = might help you get that bass down there, although I haven't really = checked that out in my own tuning too much. "Sorry, I am confused, you say use the 6:3 octave in the bass and using = your sample Steinway D file this give a -2.44 cents at A0. To me that is too = high and if I say I want to have pure double octaves in the bass and go on to = 4:1 double octave in the bass, I wind up with a reading of +1.77 cents on = A0. If I use 3:2 fifths it is -7.5 cents on A0 and using 6:4 fifth, it is = -10.6 cents on A0." I wouldn't tune any pure double octaves in the bass. Leaves it much = too sharp for my taste, especially on a "D". Try 6/3 octaves + 1cent. When you get to the single strings, go to 8/4 = octaves. Use your ear. Play with that 6/4 setting, -10 to -12 cents = sounds closest to a ballpark guess to me. Kevin E. Ramsey ramsey@extremezone.com=20 ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/f7/e3/c6/e5/attachment.htm ---------------------- multipart/alternative attachment--
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