Greg. This message was undelivered. see note. So I hope you don't mind me putting it on the list to also get comment and to let you know I did reply. Regards Tony Second attempt The original message was received at Tue, 10 Apr 2001 19:41:23 +1000 from mail006.syd.optusnet.com.au [203.2.75.230] ----- The following addresses had transient non-fatal errors ----- <gnewell@ameritech.net> ----- Transcript of session follows ----- ... while talking to mailhost.kalamazoo.mi.ameritech.net.: >>> QUIT <<< 421 mailhost.kal.ameritech.net connection refused from [203.2.75.112] <gnewell@ameritech.net>... Deferred: Connection reset by mailhost.kalamazoo.mi.ameritech.net. ----- Original Message ----- From: Tony Caught <caute@optusnet.com.au> To: Greg Newell <gnewell@ameritech.net> Sent: Tuesday, April 10, 2001 4:59 PM Subject: Re: Tuning > Greg > > Tunelab and I think, all other ETD's only tune on one combination at a time. > Richard Brekne I think was asking for an ETD that can tune on two > combinations at on time which is basically what I was after. > > Example as per TuneLab Pro dialogue, most aural tuners tune the bass by 6:3 > octave which as I said before "I THINK THAT THAT MEANS 6TH PARTIAL OF say C1 > TO 3RD PARTIAL OF C2" This is fine for tuning but as Bill Bremmer said > (I think) "In the bass you tune to the 6:3 octave and the Octave and a > fifth" > > Now I will often tune the bass by sounding C3 G3 pressing down the sustain > pedal then tuning C2 to the beat of the C3 G3 fifth. > > Tuning a piano in this fashion seem to my to give it the natural stretch > that is required. > > To get an ETD that will do that should give you a tuning on any piano that > to my way of thinking would be as good as, if not better than the average > aural tuning. > > One can only guess at the new Veritune, it may well be doing just that. But > I doubt it as I think I just read "You still have to touch up the bass a > little." > > Now at the age of 62, I am going a little deaf, but whilst I can still hear > these harmonics I am looking for an ETD that will tune with the same as a > quality tuner without having to be touched up. > > So I guess that all who use these ETD's (Including me at times) know that > the tuning is OK for house work but would you use it on a D model for a > concert as it is. ? > > Tony Caught ICPTG > Australia > caute@optusnet.com.au > > > ----- Original Message ----- > From: Greg Newell <gnewell@ameritech.net> > To: <caute@optusnet.com.au> > Sent: Tuesday, April 10, 2001 7:18 AM > Subject: Tuning > > > > Tony, > > It sounds like you're talking about TuneLab. The older version (not > > the one just out) has what you are talking about on the templates page. > > You can set it to favor any intervals you like best. > > > > Greg > > > > > > "I would like to see a template written for a ETD that takes into > > consideration the tuning of octaves based on the octave and > > the octave and a fifth with the tuned note set at that point equally > > between the two beats. Does that make sense ?." > > > >
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