At 10:56 AM 04/01/2001 +1000, you wrote: >><snip> >If David were to reposition the capstans as Bill suggested, he may still >be able to get the hammer/key ratios he's looking for without changing to >17 mm shanks. Relative to the 17s, the 16.5 mm shanks will require the >capstan to be positioned a little closer to the balance pin (which will >slow down the wippen speed - therefore, check the jack tip/key ratio >also). I believe that attention to the hammer/key ratio should be the >first consideration with any action set up. The use of excessive amounts >of lead to get the required DW is a sure sign that there's something wrong >with the basic geometry (assuming that all of the usual suspects, centre >pin, bushing and balance pin friction have been checked). >Ron O. Overs Pianos, Sydney Australia Another interpretation of wippen speed is to think of the wippen as moving through a distance. To achieve optimum regulation, the wippen must travel through a certain distance for the jack to clear the knuckle. Too much distance and the jack buries into the stop felt, too little and the hammers bobble on the jack. As the capstan migrates towards the rear of the key the wippen moves through an increasingly greater distance. This can be compounded by the capstan's interface with the wippen cushion. The capstan moves along a small arc, as the distance from the balance rail increases, the arc increases slightly as well. When interfaced with the wippen, the closer to the center pin (fulcrum) that the lift is applied, the greater the resultant distance the front of the wippen travels thereby moving the jack through a greater distance. So by moving the capstan forwards, you are decreasing the travel of the capstan and in turn applying that attenuated lift further from the wippen's fulcrum thereby further diminishing the travel of the jack; also gaining a favorable mechanical advantage which means the need for less force(weight) to be applied to operate the system. There is a point on the key for the capstan/wippen interface where the key propels the wippen to drive the jack so it just clears the knuckle for the given set of action specifications such as key height/dip, hammer length/blow, shank geometry, string height and letoff. Although I've found that the jack travel is more dependant upon KR than knuckle execution in the final selection of new parts. Many times we have to compensate on hammer blow or key dip to attain a desirable regulation. Why not select the parameters with which you want the action to function. A specified key height/dip, hammer length/blow, shank geometry, string height and letoff will require the capstan to have the ideal location on the key for an interface with the wippen for the jack to be suitably situated at the end of the key stroke. That spot is the best KR for optimum regulation. Form there you can assess touchweight. Many times I find that major KR alteration is not necessary but that the angle of the capstan needs to be addressed. I think that perhaps the original setup design was valid but that its execution failed in production. Try this: Set the key with the hammer at half-blow. Mark the 'magic line' intersection on the wippen cushion. Draw a line on the wippen through that mark perpendicular to the cushion. (for a straight cushion: A small steel rule held parallel to the repetition support post and on the mark is sufficient). Still with the setup at half-blow, extend the line onto the keystick. Set the capstan at that angle and see what happens. This has the center lines of the capstan and wippen interface moving through equal and opposite degrees from rest to letoff. (I'm really intrigued with Ron O's configuration) It may not be the optimum position but it is a place to start. Fashion a 'temporary capstan' (jpg available) so you won't be drilling too many holes and can experiment with different locations. I have reduced 'jack travel' by angling the capstan from 90 to 93 degrees without altering KR (measured by a gram weight placed on the capstan). I have also increased 'jack travel' by resetting the capstan from an exaggerated angle to one of similar slight inclinations retaining KR. As for the 'magic line', I'm not 100% sure it really needs to be_at_the halfway point; afterall, the sharps don't come anywhere near it. (or maybe that's their problem). Regards, Jon Page, piano technician Harwich Port, Cape Cod, Mass. mailto:jonpage@mediaone.net
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