Robert Moffatt wrote: > > > Please expound a bit on the term "cup". I am not sure exactly what we are > > talking about here. Otherwise I will give the idea of useing single string > > voicing to evening out single string partial patterns a try. Sounds > > interesting enough. > > Richard, > > As I'm sure you know, when the hammers are made, the way they > cut each individual hammer is usually with a guillatine. When the hammer > is cut, the outer edges of the hammer felt "spring up" (for lack of a better > discription) due to the relief of tension. This leaves the hammer low in the > centre, and high on the sholders. To needle only the centre_will_ puff the > that part of the hammer leaving it releativley square.. but, the centre > soft and the sholders hard. > Shaping the hammers first will leave the hammers level, then fit to the > strings > and voice to remove any unwanted single string partials. Ah... yes I can see useing the word cup to describe this. Thanks for the clarification > > > Me thinks Mr Bob has a certain distaste for ETD's ?? > > Only when it is quite obvious that some ETD users don't have any > real aural skills, I would aggree with this, yet take precaution to know for sure that a person has limited aural skills developed. Personally the use of the ear when doing ETD assisted tunings is becomeing one of my pet peeves. The more I dink around with these things, the more I see potential and or real threats to the ear. Course that said I also see real and potential benifits. >yet delve into the world of adding or removing partials > using a visual display. (if I'm reading this right) Grin.. I am not sure I know where you are going with this... Seems like its just me on this list who is on about this buisness of multi-partial displays.. could we expound a bit on this ?? > > > Richard Brekne > > Associate PTG, N.P.T.F. > > Bergen, Norway > > Bob Moffatt > Resident Tech > Calgary Philharmonic Orchestra > Calgary Centre For Performing Arts -- Richard Brekne Associate PTG, N.P.T.F. Bergen, Norway
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