Being an organ technician, C0 to G#0 are below the piano range, the lowest note on the piano is A0. Answer your question? Ken Gerler ----- Original Message ----- From: Ron Nossaman <RNossaman@KSCABLE.com> To: <pianotech@ptg.org> Sent: Wednesday, June 21, 2000 10:32 PM Subject: Note ID - & Tunelab > This has been bugging me for a while, and since Patricia asked about the > scale compass limits on that Wurlitzer, this seems about as bad a time as any. > > Doing my recent unison pitch measurements in Tunelab, I ran into this --- > > The note designations in Tunelab are from A-0, to B-0, then from C-1 to > C-8. Ok, being a recovering programmer, I can easily enough accept the > concept of zero offset from an address, but the first instance of C by this > system would have to be C-0, not C-1, followed by C#-0 - G#-0, which don't > even exist in the current setup. With an international standard of pitch > defined and centered on A, where in the heck does this come from? Maybe > it's an archaic music thing, but I'm not a musician, I'm a mechanic. In my > world, it's A-0 - G#-0, followed by A-1, etc., with C-7 being the top end, > marching along in a rational order, unencumbered by tradition and history. > > Robert, what are the chances that you can recompile me a version of Tunelab > with the first instance of any given note from A to G# designated "0", and > progressing upward in a similar fashion from there so a poor old dim hammer > swinger can have some hope of keeping track of what he's doing? Even if it > takes adding another indexed array for the display, it's only about fifteen > minutes work, and it would sure make it easier on my sense of conceptual > order. Then again, if the note designations are in an ascii array already, > I can edit them manually. I'll have to look and see. > > In any/either case, why is it set up this way, and why hasn't anyone > mentioned it to date? Am I the only spook in the bunch? <G> > > Ron N
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