Ron, Dr. Coleman is right, as usual. The objective is to get the tension equalized throughout the piano as soon as possible. It does not matter, I repeat, it does not matter which tools you use - your ears or an ETD. I personally find it much, much easier to do a pitch raise with the assistance of an ETD. For those of you who tune completely aurally, well bless you my chile, if that's what makes you happy, it makes me happy for you. :-) I am sure that an aural pitch raise by a competent tuner is just the same as an ETD pitch raise by a competent tuner. Both ways should ensure end results that allow the piano to be tuned in a normal time frame after the pitch raise. One way is just as good as the other; it's just a matter of individual preference. Very frankly when I am pitch raising, I trust my Accutuner completely. I do not attempt to listen to beats; I do not listen to intervals; I stop the lights where the Accutuner says it should be, tuning unisons as I go, and move to the next note as fast as I can. I just want to get it equalized as quickly as possible. When finished, I almost always find that the piano is within 5 cents or usually closer to where it should be for the tuning. On a decent piano, a pitch raise normally takes me less than 15 minutes and makes it possible for me to do the tuning in around 45 minutes more or less. I envy you living in a climate that doesn't have the kind of humidity changes we have so that you don't have that many pitch raises. On the other hand I love the seasonal changes and all the rest of the stuff that cause our humidity swings so I'm not complaining (well, not too much except when every piano in one day of tuning needs a pitch raise <g>). Gina ----- Original Message ----- From: Ron Nossaman <RNossaman@KSCABLE.com> To: <pianotech@ptg.org> Sent: Wednesday, January 26, 2000 5:04 PM Subject: Re: pitch raise time
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