>Why would anyone want to come into a real-life tuning >situation with a pitch raise involved and use a tuning fork? >Well, alright, if you only have a fork, then you have a pretty >good reason. * Yes, inconceivable as it may be, there are still strictly aural tuners left on the planet. Have fork, will raise pitch aurally. > A pitch raise = instability. Of what use is it to >attempt a temperment aurally on a moving target? * I suggest you try it some time. It's quite possible to reliably do a decent pitch raise aurally. >I'll take >that first pass with a ETD anyday. Any ETD. ------------ >Fifteen minutes and you are ready to tune. NO stress to the >ears except bringing in unisons. I believe even if you tune >strictly by ear you should bring the proper tools. Don't pitch- >raise with your ears. Save them for the tuning. > >David I. Realistically, I don't expect to be spending a grand or more on an ETD to use for pitch raises. I surely don't do enough of them to justify either the price, or the time spent on explanations to the customer every time I used it. BTW, how do you not listen to pitch raises? Do you wear high attenuation ear plugs, or a headset? Ron N
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