Brian: The CD rom of the past 20 years of the Journal will be a reality this year... before the convention I believe. Dave Porritt Chairman, Electronic Communication Committee *********** REPLY SEPARATOR *********** On 1/13/00 at 12:51 PM Brian Trout wrote: >Hi Richard, > >You wrote: >> On the side... why do scaling programs not take into consideration the >string >> length from the tuning pin to the forward termination, but do take into >account >> the length behind the bridge ?? >> >I would venture to say that the length of wire behind the bridge is more >critical because the bridge is not stationary, but rather needs to move. If >the wire length is too short, it will indeed 'clamp' the movement of the >bridge. (That would be bad). > >Conversely, the capo bar or agraffes are not intended to have any movement >at all, and are designed to be quite rigid. With that in mind, the length >from the forward termination to tuning pin is not nearly so critical. If it >is intended to speak, intended lengths need to be designed into the plate. >(It can be re-engineered if one desires, but like Del has said >previously,... a well designed soundboard does not require the assistance of >a duplex for tonal support <I'm paraphrasing>.) > >I've enjoyed reading about the thoughts and concepts of termination design >variations. I find it mentally stimulating. Perhaps at some point, I'll be >able to lay hands on those Journal articles as well. :-) > >Best wishes, > >Brian Trout >Quarryville, PA >btrout@desupernet.net David M. Porritt dporritt@swbell.net Meadows School of the Arts Southern Methodist University Dallas, TX 75275
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