>Hmm.... Why do both of my scaleing programs then demand to know this backlength >for all 88 strings. Also... when I fool around with this backlength >(experimenting >with what the programs do and dont..) the figures for inharmonicity, >tension, and >breaking point change significantly. * Beats me. I don't see how backscale length could affect any of these things. Course, I've been wrong before, but if anyone has a rational explanation of how backscale length can affect inharmonicity, tension, and breaking percentage, I'd sure like to hear it. > Plus there have been several >discussions on >this list which I have understood point to the importance of the backlength in >this regard... Have I missed something here ??? (grin.. wouldnt be the first >time) > >Richard Brekne * I don't recall this ever coming up on the list before. There's been some discussion of how too short a backscale will restrict soundboard movement, and innumerable/interminable discussions on the merits or detriments of this or that flavor of front or rear duplex scaling and V bar configuration, but nothing that I can remember about backscale length as applies to rescaling. Anyone else? Ron N
This PTG archive page provided courtesy of Moy Piano Service, LLC