Listers, Sorry for the slight staleness to the thread... It was a long busy weekend. Billbrpt, I'm a tad bit disappointed in you right now. What gives you the right to interject a term (actually an acronym) into a discussion, then turn right around and denigrate anyone who has ever used that same term? (Pssst, Bill - you used it.) Quoth Bill: >>Any difficulty >>whatsoever, any challenge, any inconvenience, any situation that requires >>effort and skill that a piano technician can make money at merits the piano a >>PSO designation. >>The other, POS, you are right about. It represents only a further >>degradation of attitude on the part of someone who does not like the normal >>challenges of our work. Many people stoop to saying it in a moment of disgust >>or frustration I agree that POS is not a nice term, but we use euphemisms for not nice things everywhere else in our language. Why not here? Just a bit presumptuous as to the attitudes and motivations of other technicians, though, aren't we? I, for one, use effort and apparent skill to meet the challenges of maintaining heavily used Baldwin and Steinway concert grands. It is a bit inconvenient to be at work at 5AM so that I can work on them uninterrupted. I'm not starving, so one might infer that I am making _some_ money at it. By the definition in that first paragraph of yours which I quoted above, I should be calling D's and SD10's "PSO's", right? As the outspoken proponent for, and former employee of, a make which, as many on this list would agree, has produced more than it's fair share of keyboard adorned furniture, couldn't you grant that (for some technicians) working on them and other less-than-concert-grade alleged instruments might just be frustrating? (Perhaps actually working on concert instruments colors our thinking by acquainting us with what a piano _could_ and _should_ be like.) Could you also grant that this frustration could possibly arise, NOT from a lack of said technician's ability, experience, expertise or dearth of desire, but from a genuine and abiding desire to always leave the customer with a musically satisfying instrument? This frustration mant times comes from the effort to "make a silk purse out of a sow's ear". Only the rare owner of this class of instrument seems to realize, much less admit, (even after repeated hints to the contrary) that their precious Wurlestrimbalinter artist model 35" spinet has 0% silk content. i.e. High customer expectation + low instrument capability = high technician anxiety and frustration trying to keep the customer happy. {and keep the customer/future profit} We rejoice with you that you are able to deal with the lesser makes with alacrity and ability, making them all silken and lining your purse in the process. We also are proud to know a technician who doesn't ever have "a moment of disgust or frustration", so would never have cause to even _think_ of a scatological acronym. We are not rejoicing in your castigation of persons who use a term which you yourself injected - but then again, you are Bill, and we are not. Conrad Hoffsommer - mailto:hoffsoco@luther.edu Artificial intelligence is no match for natural stupidity. ***If you receive something that says "Send this to everyone you know", >>>>> pretend you don't know me. <<<<< .
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