HI List. In Australia we are being bombarded with these reject Pianos from Japan which is causing no end of problems for the Tuners & consumers. I.E. when arriving to a very low humidity environment. ( Australia has a range of very high humidity to a completely dry environment.) They dehydrate and die!!! My question is how do we identify these Pianos when asked to, or give an opinion re there suitability for a environment which is totally different from their of country of origin. Apart from the loose tuning pins ,rusty screws, poor tonal quality. I am finding it a ever increasing task to identify these Bootleg pianos. The piano in question at the moment is a Yamaha G3 Grand 1983 sold for Aus$ 17000.00 (very dear) (the Purchaser was told it was a ex Sydney Opera House piano) (Favourite Story in Australia to sell a Grand Piano to a music snob). there seems to be a common thread re there identification It seems that only the domestic Japanese Pianos had the plasitic Pouch attached inside the Bass rim for the Fall Key. The Sosunuto Pedal was only fitted to the export Models I am very interested in any opinions of fellow tuners re identification of these misfit pianos Robin Stevens (Australia)
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