Hi Allen, It certainly would not have been any thing to do with Dave Brubeck's musicianship, One of the easiest people to work with. As is my practice after the sound check, I asked if there were any adjustments needed, re tuning /touch or voicing. Because of the invitation he pointed out a few bright notes, which were fixed for the concert. Without the invitation I doubt that any thing would have been said. He also was kind enough to mention to the artist dept. that he played a great piano. In conversation, later he related some horror stories of piano encounters. He is such a gentleman, that he would not like to complain. Most Jazz clubs and recording studios are so tight for money that I think he works around their problems. Even in his advancing years, he is one heck of a talent. Regards Roger At 09:45 AM 23/02/00 -0500, you wrote: >Bill, > >I've heard countless jazz recordings where the piano is badly, sometimes >egregiously, out of tune. Especially older recordings. I'm sure that the >budgets and priorities were unfortunately different for jazz as opposed to >most classical recordings. And probably most jazz pianists were pretty >accustomed to encountering out-of-tune pianos in their usual playing >environments as well, and so perhaps didn't (or couldn't afford to?) make a >stink about it. I have a Donald Byrd album that the tuning is amazingly, >distractingly awful on... > >So I guess at least some jazz players were being forced to experiment with >unintentionally non-equal temperaments, but not ones you would probably call >historic. "A-historic"? Prehistoric might be a better term. > >Allen Wright >Oberlin Conservatory > Roger Jolly Saskatoon, Canada. 306-665-0213 Fax 652-0505
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