Piano out of tune on recording

Roger Jolly baldyam@sk.sympatico.ca
Wed, 23 Feb 2000 09:24:49 -0600


Hi Allen,
             It certainly would not have been any thing to do with Dave
Brubeck's musicianship,
One of the easiest people to work with. As is my practice after the sound
check, I asked if there were any adjustments needed, re tuning /touch or
voicing. 
Because of the invitation he pointed out a few bright notes, which were
fixed for the concert. Without the invitation I doubt that any thing would
have been said.
He also was kind enough to mention to the artist dept. that he played a
great piano.
In conversation, later he related some horror stories of piano encounters. 
He is such a gentleman, that he would not like to complain. Most Jazz clubs
and recording studios are so tight for money that I think he works around
their problems.
Even in his advancing years, he is one heck of a talent.
Regards Roger








At 09:45 AM 23/02/00 -0500, you wrote:
>Bill,
>
>I've heard countless jazz recordings where the piano is badly, sometimes
>egregiously, out of tune. Especially older recordings. I'm sure that the
>budgets and priorities were unfortunately different for jazz as opposed to
>most classical recordings. And probably most jazz pianists were pretty
>accustomed to encountering out-of-tune pianos in their usual playing
>environments as well, and so perhaps didn't (or couldn't afford to?) make a
>stink about it. I have a Donald Byrd album that the tuning is amazingly,
>distractingly awful on...
>
>So I guess at least some jazz players were being forced to experiment with
>unintentionally non-equal temperaments, but not ones you would probably call
>historic. "A-historic"? Prehistoric might be a better term.
>
>Allen Wright
>Oberlin Conservatory
> 
Roger Jolly
Saskatoon, Canada.
306-665-0213
Fax 652-0505


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