Restringing

Martin Dubow tuner@mediaone.net
Fri, 11 Feb 2000 16:32:05 -0800


Hi, Brian,

When you say dress up the grooves in the capo bars (if they're
too roomy), what would you use to do that with?

Thanks.

Martin



Brian Trout wrote:

> Hi Martin,
>
> A couple of things come randomly to mind.  I'll just start spouting them
> off.
>
> If you haven't already destrung the little beasty, take some careful notes
> of what's there.  (Wire sizes, how many unisons of each size, which strings
> are tied, whether there's wound strings above the tenor break, how many,
> etc.  All of those little things that are easy to think we'll remember and
> we don't.)
>
> I'm not sure quite what all you're doing, but when you have the strings off,
> you'll have access to areas you can't get to as easily when the strings are
> on, so if you're planning to do any cleaning or the like, that's the time.
> You can also get to the bridges very easily if they need anything.  I don't
> know if you're intending to pull the plate to refinish or not... the list
> can get pretty elaborate...
>
> Take note of where the bellyman felts are so that you can duplicate them, if
> that's what you intend.  If you can, it's not a bad idea to save the old
> felt and / or card stock to use for patterns.
>
> While you have all of those strings off, it might not be a bad idea to check
> the surfaces of the capo bar(s).  On some pianos they can develop some
> pretty significant grooves that the strings ride in.  It probably wouldn't
> take much to dress them up a little. You're never going to have the
> opportunity to do it so easily as when it's already destrung.  (I won't
> belabor this one.  Perhaps others will have more advice.) If there are some
> big grooves in the capo bar, it won't give you as nice of a termination
> point, and it may drag more while trying to tune.  It'll also frustrate you
> when trying to space the strings as well as trying to tune them.
>
> Before you pound in your first tuning pin, grab a roll of masking tape.
> (Size unimportant.)  Find the unison where the next wire size begins and
> place the tape over all three holes in the plate, covering them up.  That
> way, when you're going gangbusters stringing, forgetting all about how many
> unisons you've done, you'll come to the tape and stop.  Then you'll change
> wire sizes to the next size, relocate the tape to the next wire size change
> point, and proceed with the stringing.  It may sound a bit silly, but it'll
> save you from that panicked moment when you realize you've strung 8 extra
> unisons with #14 wire... and now what do you do...
>
> Cover the stretcher with something.  Heavy cardboard stock works.  I've seen
> people use heavy pipe insulation around the rim if you want to cover the
> sides of the case at the ends of the pinblock area.  If you're like me, at
> least once during your episode with the 2 pound wonder in your hand, you'll
> miss that little punch, or it will glaze off the side, sending the thing
> into a crash course with whatever is in it's trajectory.  Just pray that it
> isn't your thumb, or it won't likely be praying you'll be doing... at least
> not right away.  (You can pray for forgiveness later. <grin>)  Prevention...
> and all that stuff...
>
> Also, if the soundboard is anything you'd like to preserve from the
> inevitable scratches that a couple of hundred string ends etc. can make, you
> might want to lay something on the soundboard.  I've used lots of different
> things.  It doesn't take much.
>
> Take note of any aliquots, or rear duplex type devices so that you can be
> sure to put them back in their proper places, if that is your intent.
> (Trust me, you won't remember every detail...)
>
> Some of the front duplex termination bars on some pianos are also
> detachable.  If you're taking them off to clean or polish or replate them,
> you'll want to mark them in such a way that you'll know which one goes
> where.
>
> As you string, don't forget to move the pinblock support jack along with
> your progress.  It's kind of out of sight down there, and easy to forget
> about.
>
> An easy thing to do that'll serve two purposes, is to lay a movers blanket
> on top of the piano, exposing your work area, but covering the area you're
> not working on.  If you bring the pad back far enough to cover the pinblock
> area you're not working in, not only will it provide some protection, it'll
> give you a place to lay a few tools, if that's where you like to have them.
> When you get to the bass strings, it's also a handy place to lay them out
> flat where they're handy.
>
> Not everyone will agree with this one, but I find it easier to straighten
> out the coils and do a basic level of the pins as I go.  Some people prefer
> to just get them all in there, and then worry about being fussy.  To me it's
> easier to do it as I go, because it seems like such a big job when the whole
> kahoona is staring you in the face.  Besides, it's easier to straighten a
> coil that has an empty couple of holes beside it.
>
> If you're putting string braid in the tails of the tenor section (on the
> long bridge), it will be easier to put it in before you put on the bass
> strings.  It will also be easier to do some of the tapping of the string
> loops at the hitch pins and seating at the bridge pins before the bass
> strings go on.  (At that point, I do have some tension on the strings, so
> they're not going to go far.  I can always come back and check things
> later.)
>
> When you're stringing the bass section, you might want to keep the cut off
> pieces of wire.  They make a good stock of wire to make new ends for broken
> bass strings.  And you'll have a nice assortment of sizes.
>
> I don't know if it's considered part of restringing or not, but while you're
> in there, it's an easy job to rebush the damper guide rails.
>
> Wow, talk about long winded.  Am I ever!
>
> That's the random thought pattern that came to mind.  I hope you'll find at
> least one idea that'll work for you.  I'm sure there are a whole bunch of
> people with more experience than me that could add to the list.
>
> Good luck with your restringing job.  I hope it goes well for you.
>
> Best wishes,
>
> Brian Trout
> Quarryville, PA
> btrout@desupernet.net
>
> ----- Original Message -----
> From: Martin Dubow <tuner@mediaone.net>
> To: <pianotech@ptg.org>
> Sent: Thursday, February 10, 2000 11:13 AM
> Subject: Restringing
>
> > Hello All,
> >
> > Next week I will be doing my first restringing. It's on a baby grand.
> > If any of you would care to comment on your first restringings and
> > what I should watch out for, I would greatly appreciate it.
> >
> > Thanks.
> >
> > Martin
> >
> >



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