Mr. Currie: At least one of the following must be true to reasonably consider restoring an old upright: 1) It was built by a premium manufacturer, i.e. Steinway, Mason & Hamlin, Bechstein, Bluthner, etc. 2) It was your grandmother's and you learned to play on it. 3) You absolutely MUST have an antique piano with an antique-type case. AND IN MOST CASES it is only reasonable to do if the soundboard is OK, the pinblock is salvagable, and the bridges don't need too much work. > * Are there new parts available that can approximate the old ones?> Yes, there are excellent parts available. > * What can one do about "legacy sytems," for lack of a better term, that > are no longer put in pianos? I'm thinking especially of the lost-motion > compensation apparatus on our Stieff, which seems to be mostly missing.> Let your selected tech/rebuilder include this in his/her quote. > * Do you need to find a tech with special experience and skills in old > Stieffs, or at least old pianos, so that they'll understand and successfully > repair the antique action to the character of the original? Or should any > good tech be able to do the job?> You need to find a tech with excellent rebuilding skills and the willingness to use them. > * What about the case? Is it best to leave it alone (as antique dealers > would recommend for original "black" finishes), or can it/should it be > refinished (assuming we could even afford this)?> If you are restoring the inside, refinish the piano. > * I understand that many old uprights just simply aren't worth restoring, > or simply can't be. Do you think a 1900 Stieff is a promising candidate for > such a project?> See my aforementioned comments. Get a quote from a reputable rebuilder. See his/her work. Only you can decide whether it is worth restoring. Assuming the piano has a good soundboard, pinblock, etc. realize that you will be spending somewhere in the $5,000 - $8,000 range for a good job. You can buy a new 52" Yamaha for somewhere around the upper range here. I would not do it unless at least one of the first three factors I listed is true - preferably two of them. By the way, I just happened to look at a turn-of-the-century Steiff small grand for a lady about 2 hours ago. She is thinking of purchasing it, and I inspected it for her. I could readily see that that the manufacuring and general design (features) quality of the piano was very good - well towards the upper end. Good luck, I hope this helps. Terry Farrell Piano Tuning & Service Tampa, Florida mfarrel2@tampabay.rr.com ----- Original Message ----- From: "Chris Currie" <c.currie@ieee.org> To: <pianotech@ptg.org> Sent: Tuesday, February 01, 2000 4:20 PM Subject: Restore 1900 Stieff Upright? > Greetings, pianotechs! As a layman, I profited immensely from reading the > archives of this list for several months while researching the purchase of > an old upright piano for our home. We finally found a 1900 Stieff, original > everything (or what was left of it), in a home near Baltimore, and bought it > for the princely sum of $300. We love it in spite of its scratched and > peeling case and less-than-ideal sound. Now, however, my wife is taking > lessons, and we've found that tuning the darn thing results in numerous > broken strings (and our tuner is tuning it a half-tone flat). There are > other problems, too, so he's recommending a rebuild, and that's the reason > I'm posting today. > > I know from reading this list and from a couple calls my wife made yesterday > that rebuilding/restoring this old Stieff would be a several-thousand dollar > proposition. My question is this: Is it possible to rebuild such a piano > so that it resembles what it was when new? After all, for that kind of > investment, I could get a spanking new piano; I'm not sure I'd want to make > a similar investment to bring my old, somewhat beat-up piano to the sound > and quality of a piano built yesterday. On the other hand, we might part > with those dollars to give us something that is similar to the character of > the instrument when it was built (and many folks in these parts think the > old Stieff uprights were much superior to what's built today). > > Some questions in this vein: > > * Are there new parts available that can approximate the old ones? > > * What can one do about "legacy sytems," for lack of a better term, that > are no longer put in pianos? I'm thinking especially of the lost-motion > compensation apparatus on our Stieff, which seems to be mostly missing. > > * Do you need to find a tech with special experience and skills in old > Stieffs, or at least old pianos, so that they'll understand and successfully > repair the antique action to the character of the original? Or should any > good tech be able to do the job? > > * What about the case? Is it best to leave it alone (as antique dealers > would recommend for original "black" finishes), or can it/should it be > refinished (assuming we could even afford this)? > > * I understand that many old uprights just simply aren't worth restoring, > or simply can't be. Do you think a 1900 Stieff is a promising candidate for > such a project? > > * If this does turn out to be a viable project, can you refer me to any > pianotechs who have the experience/expertise to do a job like this? We live > in the Washington-Baltimore area. > > I appreciate any comments or advice you might have, and wish you all well in > your esteemed profession! > > Chris Currie > c.currie@ieee.org > > > > > >
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