> what is the difference between 4-2 octave and 6-3 ??? As simple as this question is it has far ranging answers because there are so many concepts embodied. The human ear tends to want to hear octaves expanded more in the bass and less in the treble. The ear also latches upon specific coincidental partials while listening to octaves in the different regions of the scale. Generally speaking the bottom three octaves are tuned using the 6th partial of the lower note and the 3rd partial of the upper note. The next two to three octaves are tuned listening to the 4th and 2nd and the upper two to three octaves are tuned to the 2nd and 1st partial. The switch over point varies from piano to piano, tuner to tuner and sometimes I think from different way a tuner feels from hour to hour. Another governing factor is inharmonicity. Think for a moment and realize the the ends of the speaking lengths of the notes are not hinged, they are followed through by continuous lengths of string, no discontinuity except the termination points. The string then begins to flex a little away from the terminal point. Each successive partial has less mass to work with so it begins to flex the wire further and further from the termination point which shortens the speaking length of the partial and makes it sharp. When we tune octaves we are matching the 6:3, 4:2 and 2:1 partials which causes us to tune flat in the bass and sharp in the treble. Hence stretched octaves. Those are the simple answers, the rest you will have to grow up to understand. :) Understanding comes with further knowledge and a LOT of practicing. Lots of luck. -- Newton Hunt Highland Park, NJ mailto:nhunt@jagat.com
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