Christopher, I think it depends on what facet of ear training we are talking about here. If one is talking about a pitch *reference,* then a well-tuned piano is as good as anything. If you are talking about the students learning to know how to play/sing in tune, the teacher has to continually cajole them into paying attention to how they sound in relation to the pitch reference, whether it be a specific instrument, such as a piano, or the ensemble as a whole (band, orchestra, chorus, etc.). As a former high school band/orchestra director there is no question in my mind that every instrument can be played in tune or out of tune. It's a real problem when students assume they will get the note in tune just by having their fingers in the proper positions. I see no value in using the violin over other instruments to teach pitch. Regards, Clyde Hollinger Christopher Witmer wrote: > Is there any one instrument that can be said to be particularly well > suited to developing an ear for pitch? I overheard someone say that in > this regard the violin is better than the piano, as it is fretless and > able to produce a continuous range of tones. (The person saying that was > a voice teacher, speaking to his students. He also added that for a > voice student the piano was still the single most useful instrument -- > excepting, of course their vocal chords -- but if they wanted to add a > second instrument they should seriously consider violin for that > reason.) Is that a widely held view, or was it just a pet theory of that > voice teacher?
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