Christopher Witmer wrote: Hi Christopher, Complex question, but historical temperaments could to be a good place to start your exploration. Recently had a mind boggling experience with Beethoven and the Vollati/Young temp, as did a group of 36 professional teachers. Regards roger > > I'm going to reveal my ignorance with this question, but, hey, it's the > only way to learn. > > I love the tonal qualities of the modern piano, but would it be possible > to design a piano to retain these qualities and yet also be able to > behave more like a fortepiano when required by the demands of certain > period fortepiano pieces (e.g., certain passages in some of Beethoven's > piano sonatas which are hard to play strictly as Beethoven instructed > unless a fortepiano is used). I'm not sure it could be done, or whether > it could be done without sounding really wierd -- an animal that > sometimes barks like a dog and sometimes mews like a cat. And for all I > know, if it can be done somebody is already doing it with some special > pedal/damper/stringing implementation.
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