Thanks muchly Clark... I will take a closer look at this tommorrow or the day after. Hard to be sure about the hammers as they are so worn down... but from what I saw today...through all the dirt... :) looked to be hammers that were origional, and non leather coverered. Other indications I have... ie "what the owner thought" leads me towards 1835 or later. I let you know what these other indicators tell me. Thanks again. Clark wrote: > Hi, Richard, > > C. F. Colt has a chapter on dating Broadwoods, a little too large for me > to reproduce easily, but I'll include the sections if you want to > elaborate on anything they cover. I have an 1805(ish), and an 1827 > square which might help in comparison, and also "Broadwood by > Appointment", for what it's worth. > > Regards, > > Clark > > C.F. Colt, C.F. and Antony Miall. "The Early Piano". London, Stainer & > Bell. 1981. p.144-154. > > > 5. How to Date > > > > Series Numbers > > Dates and Numbers on Squares > > (Dates and Numbers on Grands) > > Nameboard and Inscriptions * > > Compass > > Keys > > Hammer Coverings * > > Stringing > > Iron Tension Bars > > (Types of Action) > > Damping Systems > > Pedals > > (Casework) > > (Baseboards) > > Music Rests and Candlestick Stands > > (Keyboard Covers) > > Variety of Choices > > > Period Inscription > > From 1800 until 1820 His Majesty (George III alone) > > 1820 till 1821 Their Majesties (George IV and > > Caroline) > > 1822 till 1830 His Majesty (Caroline died in 1821) > > 1830 till 1837 Their Majesties (William IV and > > Adelaide) > > > Hammer coverings, if the actions have not been altered, can help to > > fix dates. All early pianos without exception had their hammers > > covered with buckskin or wash-leather. This system went on until > > about 1825, when cloth and then felt began to be used. Shortly after > > 1820, particularly on squares, the bass part of the piano - i.e. > > those notes on the bass bridge - had cloth covered hammers. > > Gradually the cloth or felt was extended, until about 1839 only the > > topmost octave was covered with leather. -- Richard Brekne RPT, N.P.T.F. Bergen, Norway
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