> delamination amongst all the others." Say what? Sorry Folks, foggy brain, lame leg, tired body, glazed mind; take your pick. The reasons for doing a pinblock fit as best you can are multiple but consider these: The integration of the block into the main structure of the rim and stretcher provides structural stability leading to tuning stability. Fitting the block to the flange of the plate provide support from the pull of the strings and tuning stability. Having tight screws all around the plate and rim provide structural stability and tuning stability. Properly drilled and and strung blocks provide tuning stability provided the coils are tight and the right height above the plate; no more than 1/8" . Block boring angle should be set to the string leaves the tuning pin at 90 degrees when the bottom coil is 1/8" above the plate. This prevents coiling climbing over each other or prevents them from moving down the tuning pin. There are many other issues like soundboard and bridges but I will leave those along here. My piano, a 1920s Ivors & Pond 5'3" massively constructed piano with a plate as heavy as a S&S B plate had a very poorly fit block. Whether from bad fitting or shrinkage (poor curing) there is a 1/16"+ gap all across the flange and every lamination is separated at some point or other. Positioning the plate is critical and since I got the piano dismantled I will have to work backwards for a proper fit. No big deal in this case; screw old block onto plate, drill 3/16" hole through plate and block, secure old block in case, measure from holes to rim and stretcher, fine fit new block to plate and drill through plate into block, position new block in case and measure from holes to rim and stretcher, cut as needed then secure the block to stretcher and rasten with screws and epoxy. EXCEPT the old block was tapered in thickness so; before securing block the plate has to be dropped in the block pulled up to the plate and bearing checked and if needful wedges cut to fit the block to the rim. Interesting little problem, yes? I have ordered height adjustable plate rim bolts from Jim Coleman Jr. so I can adjust plate height without removing the plate, a major advantage since the piano is in my small dining room. More interesting problem, the dog ate a damper top flange, what to do, what to do. I have top flanges from a different piano that fit, almost but I will need to trim off the bottom of the lever to get the sos. tab to match in height, about 3/16". Another interesting problem is that this piano has no agraffes at all and a string pattern was not taken before destringing and since the plate is out on the enclosed (but not sealed) porch the old string marks have corroded over. SO, hammer marks will be made on a secured clear plastic sheet so when the new hammers are installed they can be angled, burned traveled and spaced to the old string marks. I also have the newly rebushed damper guide rails to act as a preliminary string spacing guide. Refinements will have to be done with much care later. Metal parts will be cleaned with a wire wheel, the plate will be sprayed (on the porch) and the bearing bars will be polished then I will need lots of help getting the plate into the house and in the piano, a hook into the ceiling and a come-along used to raise and lower the plate the few times I will need. Sitting and having a set of goals, determine the problems, work out a possible set of solutions to each problem as you see it, be flexible, measure multiple times before cutting ($pinblock is $125) and take your time and di it right. There are more than just good reasons most of the better piano makers integrate the block, rim and stretcher into a cohesive whole. Stability, endurance, pride and skill. Now, aren't you sorry you asked? Have a good weekend coming up. Newton
This PTG archive page provided courtesy of Moy Piano Service, LLC