>. That's the beauty of using logs, because it allows you to use > numbers like 1 or 5 semitones to express ratios between factors, > instead of nasty numbers like 2^(5/12). Semitones are intuitively > graspable and "calculations" can be done with monochords without > resorting to any numbers at all. It also better expresses the way the > acoustics are perceived. >Stephen Ah, but there is beauty in "nasty numbers" to me at least. Looking at 2^(5/12) I see an interval of 5 1/12th semitones And how can it be nasty if logs are beautiful? The decimal equilivant of 5/12 is actually a log, .41667 (of the 2). Multiply that by 1200 and you get 500 cents or an ET Fourth. Or 2^.41667 is 1.3348 or the division of the monochord (or fretboard) to give a Fourth (the interval) of an octave equally divided into twelve parts. The"natural" Fourth would be 4/3 or 1.33333. You said calculations could be done with monochrods without resorting to any numbers at all. How is this done? ---ric
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