Hi John: The slow beat comes from the 2:1 and 4:2 relationships of the Octave you are checking. Jim Coleman, Sr. On Sun, 18 Apr 1999, John M. Formsma wrote: > Greetings List, > > Last night I was tuning my mother's 1922 Bechstein grand for practice, and > noticed something while doing the M3-M10 test to check octaves up from the > temp octave. While I can hear if the M10 beats faster or slower than the M3, > when all three are played together, there is a much slower beat that can be > heard besides the faster third/tenth beats. This can be "tuned out" so that > no slower beats are heard while all three are played together. > > Since I am basically a beginner in aural tuning, is this useful for > anything? For an example, if you are tuning E5 to E4, checking for equal > beats with C4, play all three together. If all are in tune, there will be no > audible beats other than the third/tenth beats, which will be rather fast. > Otherwise, if C4-E5 beats a little faster/slower than C4-E4, there will be a > slow beat when C4-E4-E5 are played together. > > I realize this shows only that the E4-E5 octave is in tune, which can be > accomplished by playing the M3 and M10 separately. But are the three notes > played together useful as a test, or do I merely qualify now to be called > Mr. MOTO (Master of the Obvious)? <grin> > > John Formsma > > P.S. I have been scratching around on a piece of paper, wondering which > partials would cause the slow beat. Is it the 5th partial of C4, the 4th > partial of E4, and the 2nd partial of E5? Just curious... >
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