Greetings all, Historical tuning warning!!! The following topic has been known to raise heart-rates, voices, passions, stupidity, callousness, tender sensitivites, and all sorts of other emotional stakes, so if it seems like a dangerous direction, best get off right now. For the rest, I would hope this is a fascinating and delightful bit of information. Went to the Nashville PTG meeting last night and heard Bob Bussell RPT demo the latest tuning program from Dean Reyburn. In discussion, he mentioned that he had been playing with a function of the program that allowed him to merge two tunings together, and he had combined ET with various historical tunings, resulting in some, (at least to me!), very interesting looking tunings. Of particular interest was the result that came from taking a well temperament,(Prinz) and averaging it with an ET. I suggested that he do this, and then compare it with the image of the Moore & Co. Victorian. (I was just mentally tossing the third's averages around, but the O cents of the C-E third in the Kirnberger averaged with the 13.8 cents of the ET would give me a near 7 cent third for the new temperament, which is moving into Victorian era size) The result of averaging the Kirnberger and ET very closely resembled the Victorian temperament! This is not totally unexpected, but the ability to create tunings with a selected degree of tonal color is something that I wish a few of you RCT users out there would investigate. I think Bob is onto something here and would be interested in any new experiences the RCT world wants to tell us about. Regards, Ed Foote
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