This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment Hi John, I've not worked on a Justin Browne piano, but from the sound of the = responses, it's a Birdcage! At the risk of being flamed for my opinion, I wouldn't be afraid of the = piano, but I might want to check out the customer pretty well, and = determine if they know what they have and what they can expect. =20 We had an old piano, I can't remember the name on it, from England I = believe, somewhere around 100years old in our shop for some work. It = was a birdcage action, and straight strung, with a nut (as opposed to a = capo bar or agraffes). We restrung it with oversize pins, put on new = dampers, and did some action work, (regulating and minor repairs) at the = customer's request. Turns out it was a wedding gift the couple had = bought for each other many years before, so there was sentimental = attachment. But what I was getting at, a lot of what you find sometimes in some of = these old pianos isn't quite what you think of as a 'modern' piano. If = you're expecting a modern Steinway grand, you'll be very disappointed. = A lot of these old pianos can have a very 'guitar' like sound, but are = not necessarily bad sounding, just different. Much hinges around just = what you and they are expecting. Incidentally, the piano we worked on, to which I've referenced, was in = pretty good shape overall. The bridges were good, the soundboard was = good, the nut was good, the cabinet was excellent. It turned out very = nice, and although it didn't play or sound like a modern piano, it was = very pleasant both to play and to listen to, again depending upon your = expectation. The tuning and the damper system on a birdcage can be quite different = that what you're used to. Here's something for you to try. On the = piano we had, it may be similar, it may not be, we could take the whole = damper 'assembly' off of the action with 2 screws I think. (Relax, it = came out in one big assembly, not a bunch of individual dampers.) For = us, the easiest thing was to remove the damper assembly, and put in the = mute strips like you usually would, and tune away. It's a little odd, = but it's not hard. I hope you have good fortune with this situation. I'd be inclined to = approach the piano with 'a clean slate'. Don't bring expectations or = disappointments with you from other pianos you've worked on. Let it be = a new experience all it's own. It just might turn out good for everyone = involved. Good luck, and best wishes, Brian Trout Quarryville, Pa. -----Original Message----- From: John M. Formsma <jformsma@dixie-net.com> To: PianoTech <pianotech@ptg.org> Date: Saturday, April 10, 1999 6:16 PM Subject: Justin Browne piano =20 =20 Greetings. =20 Today I had someone drive to my house from about 50 miles away to = see if I would work on a piano they have. They don't have a phone. ??? =20 Anyway, the piano is a Justin Browne, made in London according to = the label. The Pierce Piano Atlas has but one listing--->1870-1910.=20 =20 Does anyone here have any experience with them? From what they said, = it is a rosewood piano, and there are 13 notes not working. (They were = working on it themselves, and I wondered if I would have to eat my words = to the list written hours ago that I worked on just about any piano. :-) = ) I may regret it, but I suppose I'll have a look at it when I am going = to be in the area next. =20 If you have any knowledge, it would be helpful to know something = about the piano. This is the first time that I've ever heard the name. =20 Thanks in advance. =20 John Formsma =20 ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/pianotech.php/attachments/18/7e/5d/88/attachment.htm ---------------------- multipart/alternative attachment--
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