Thanks to all who weighed in on what may constitute a "jazz tuning". I had certainly decided that with all the key modulation and extended chords and rich coloring inherent in jazz playing, ET was a choice that surely would not disappoint most players. It's hard to argue with David's wish list of solid unisons, clean octaves, and a well-executed ET, eh? While it's true that I too have noticed in some jazz recordings, more so than in classical ones, that somebody neglected to have the piano tuned, I certainly wouldn't deduce that any player would actually PREFER it that way! I wonder if perhaps an acceptance of the piano's condition, however poor that may be, might not creep into the psyche of the inveterate jazz player due to the multitude of poorly attended pianos one may play in the course of so much club work. If playing a slightly out of tune piano drove you nuts, playing jazz for a living MIGHT not be a healthy career path! Just a theory.... One other thing that occurred to me is that the differences between the three tunings offered by this technician - Jazz, Classical, Pop - might actually be in name only, in an effort to make the customer feel like they are getting a customized tuning. A devious thought, to be sure, but an idle mind...... Mark Potter bases-loaded@juno.com
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