To answer the question about how I got into Piano Technology ... As I once wrote on a party invitation, "Ever wonder how a *nice girl* ended up becoming a piano technician?" Here's an answer. Born in late 1953. Was raised in eastern Massachusetts. (Whether or not I actually grew up is debatable.) Came back to Boston after college, tried being a photographer which proved to be a recipe for disaster. Went to work in the standard corporate world as a bookkeeper, got bored out of my brains. No time (or energy) to hang out with musicians. Question of the decade -- How could I be of use to the musicians in a way that would make sense to them? Having promo shots done was met with the same level of enthusiasm as having income taxes done. Doing something about the piano that would make it more "user-friendly" to the music was more like it. Furthermore, the work would be completed before the performance rather than at and after the performance as in photography. (I had grossly underestimated the enthusiasm of the musicians I knew when they learned I had quit the photog and the corporate worlds for their pianos.) Pianos have always been fascinating noisy mechanical toys. Tried piano lessons briefly but was a terrible musician. Good sense of pitch, virtually no sense of time. Attended North Bennet Street School (Boston) 1987-89, teachers were Dave Betts, Christine Lovgren, and Jack Stebbins. Became a member of the PTG in 1988. Moved to Michigan in 1991 to work for dealer, became interested in Disklaviers. Went to Yamaha's Little Red Schoolhouse in 1992. Became an RPT on a trip back to Boston, 1992. Went to Yamaha for Disklaviers in 1993, acquired the name Diskladame. Left the dealer on Friday Oct 13, 1995 to be self-employed, specializing in Disklaviers. Passed CTE tuning exam on another trip back to Boston in 1996, began CTE training. Have attended PTG conventions in 1992, 1994-97, plan to attend 1998. Also attended various reginals, particularly the Eastern Regionals off and on, and PA State once. Call me an education junkie, because I cannot get enough even when I feel like a well-juiced hammer after a convention. If there was more time and money, I'd be hitting more regionals as well as the conventions. That just might happen yet ... providing my customers don't squawk about the amount of time I spend out of town. Z! Reinhardt RPT Ann Arbor MI diskladame@provide.net
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