In a message dated 98-02-07 18:04:16 EST, you write: << A mild Victorian tuning on Ronnie Milsap's piano had him calling his other tuner the next day to come tune the piano in ET. I heard about it and called Ronnie to ask what it was that bothered him. He said that when he wanted "all of the chords to sound alike". His JND here was about 3 cents in the worst third. >> When Ronnie Milsap performed here in Madison some years ago, he was so angry at the tuning that was provided to him that he got up and mashed his foot into the dampers. That tuner insists that his tuning is ET and like a lot of people who really ought to know better, condemns any use of an HT in any situation. What gets me is that I know very well that this tuner's temperament is not equal but he believes what he wants to believe and has long been set in his ways. Most likely, he will never be able to tune an ET that would pass the PTG RPT Exam and yet he is a well-liked, well respected, professional piano tuner who lists his credentials in the phone book as "Concert Piano Technician". This is also a rather unusual example, an artist who explicitly states that he "wants all his chords to sound the same". Most performers, I submit, still believe in the concept of "key color". They want it, they expect it but are also admittedly confused about the issue of temperament. There can never be a "one size fits all". Bill Bremmer RPT Madison, Wisconsin
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