Susan Kline wrote: > > Hi, Newton, Jerry, Hunts all -- > > Just from curiosity -- You talk about M4, and seem to mean "major 4ths". > >From my checkered past, when I taught music theory for one grueling year, > isn't it "perfect 4ths, 5ths and octaves," and "major thirds, 6ths, 7ths, 2nds?" > > Well, enough of being an obnoxious stickler. Have an excellent Thanksgiving. > > Susan > > At 09:43 AM 11/25/97 +0000, you wrote: > >Newton Hunt wrote: > >> > >> Hello, Jerry, > >> > >> Anyone with my last name HAS _GOT_ to be a good tuner. > ><snip> > > > >Newton, > >The first time I saw your name on this list, I knew that I liked you! > >Thanks for the advice. I do have one follow up question. You said "Also > >not that the M6 with an inside M3 contains the M4 A3-D4. You can use > >this fact to evaluate M4 speeds". I understand the M6/inside M3 (F3-D4, > >G3-B3, respetively), and I can see that the M4 A3-D4 fits withing the > >overall interval. My question is, what does one look for in this M4 - > >i.e. what kind of relationsship? > > > >Thanks again. > > > >"Hunts of the world unite!" :o) > > > > > > Susan Kline > P.O. Box 1651 > Philomath, OR 97370 > skline@proaxis.com > > "I know exactly how long it will take me: whatever time is available, plus a > little more." > -- Ashleigh Brilliant ======================================================================== Susan, You are technically correct, but then it has been my experience that piano tuners compromise technical precision (in nomenclature) in favor of brevity. By the same token, you might see a reference to an F-A# interval, whereas the technically correct designation is F-B_flat, this, I suspect, partially due to the fact that most of us don't have a key on our keyboard for the flat sign, but do have one for the #. Have a very happy Thanksgiving.
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