Hi Les, That lovely scarlet, or gold, cord inside the case was the patented "Lick and a Promise" sloppy soundboard perimeter joint hider and general dresser-upper. It was a biggie idea from French Lick (and a promise) Indiana. It was also, possibly, the prettiest c(h)ord the piano had in it. If it had occurred to them, they would have put in two cords for an enhanced "duplex" effect. %-) Ron At 02:09 PM 11/19/97 -0500, you wrote: > > >On Wed, 19 Nov 1997, pianoman wrote: > >> I think a lot of people put in the braid because it looks cosmetically >> good. That portion of the string looks kind of bare without something to >> dress it up. I have seen many pianos with the braid intertwined in the >> duplex portion which defeats the purpose but does quieten some noisy >> sections down to a manageable level. > >Of course, in some old, small, "cheapie" grands, leaving out the stringing >braid may have saved the manufacturer several cents at the wholesale level >and if they were basically turning out piano-shaped plant-stands every >little bit of profit counted. OTOH, if you were really building a junker, >maybe the hope was that by using a wide, brilliant-scarlet stringing braid >throughout PLUS lining the inside perimeter of the case with a matching >scarlet cord, you might thereby be able distract the owner's attention >from true, dismal quality of the "instrument". Manufacturers at the bottom >of the barrel faced having to make constant important decisions, just like >the guys at the top. > >Les Smith >lessmith@buffnet.net > Ron Nossaman
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