The variability between pianos, even within the same styles are in the plate castings, and more apparent in the individual rim. Putting aside the marketing language, this is really what happens. After the rims are bent (inner, outer simultaneously. maple etc...) the rims need to be stored up to six weeks in a conditioning room. During the curing process, (which is needed to allow the moisture to be removed as a result of the glue, and to stabalize the rim ) each rim will finally settle and stop moving. Try to imagine the amount of strain in this structure as it was bent. The final shape of each rim will vary from piano to piano. Just take a look at several Steinways. Look at the "straight side" or bass. Some rims are straight, others bow inwards, others outwards, some in and out. The actual contour from one model B is differant than the next. The span within two rims from side to side may differ 1/2 inches... Add to this the fact that plate castings were supplied from various foundries, from differant moulds, and you have variability. To some degree thats good as each performer/player select pianos for unique touch etc... The plate fitter traditionally had to determine the best fit of a unique plate within a unique rim. In some cases if the plate fitter only used the "spec" the lag bolts would fall off the inner rim. In another instance the bolts will run into the outer rim and excess grinding would be needed to fit the plate. Therefore the factory gauges always had plus or minus marks...forget the calipers here, I'm talking 3/16" in the bass, 1/8" in the treble. >From here, this initial plate fitting setup provides the foundation of bellying procedures which in turn results in unique capstan lines, backcheck lines, and action stack height..which is all established by the forefinisher. If you understand the requirements of the artist, this information may be appreciated. The goal is to keep within the structural elements which are of great importance, and to limit the variablity to a level which makes sense. All pianos no matter what variability there is, MUST PERFORM. The reason for having the capstan screws interfere with the repetitions is a simple one. The forefinisher made a mistake...please forgive the poor soul. Mike Mohr Steinway factory, LICNY
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