NBarr18195@aol.com wrote: when the job was finished, it was apparent that she could now hear notes a full octave higher than before even though the pitch was now higher. The only explaination I have for this is that the additional tension on the soundboard gave increased amplitude. Any other explanation for this would be welcomed and appreciated. Norman, I strongly suspect the cause of her sudden ability to hear higher pitches was the increase in upper partials. A 65 cent pitch raise would increase the overall scale tension by 20 to 30%. This additional tension should excite the upper partials and increase the definition of them. I wouldn't think the slight increase in amplitude would be enough for her to hear. She may be suffering from what I nicknamed "drummer's ear." Long term percussionists, especially "kit" drummers suffer selective hearing loss. Most notably in the 4000 to 6000 Hz range. This is the range where a crash symbol sounds its shimmering brilliance. Unfortunately, it's also the range that, if not present, makes vocals sound muddy and garbled. Try mixing monitors for a vocalist whose primary instrument is drum kit. It sounds like she couldn't hear the fundamental, perhaps as a result of this selective hearing loss, but when you brought in the upper harmonics in that register, she was able to hear them. Hope this is some food for thought. Hearing damage is difficult to diagnose and manafests itself differently in each person. Just another reason to pay close attention to the hearing protection discussion that's currently going on. Danny Moore
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