Andre, Thanks for your note. Having just finished a day of prepping 5 Kawai grands for a dealer / music teacher presentation, I'd like to make some suggestions if I may: The Kawai aliquot (rear duplex to some) and duplex scales are extremely active. These add ring to the tone that is beneficial when music is being created, but does make the treble more difficult to tune cleanly. The solution is simple: mute these sections during tuning. The next time you tune one of these pianos (or any fine piano, really) try using some good quality (i.e., not gummy) masking tape on these sections. Because I don't personally care to keep sticking masking tape on the strings, I had some long thin bags made of soft fabric and filled them with dry beans. These aren't too heavy to carry, and do a great job of temporarily muting the duplex during tuning. When tuning the unisons of the top octave, I also mute the un-damped notes up to C-7, so that the note in this section which is an octave below the top 7 or 8 notes does not ring sympathetically while I am tuning the unisons and cause slight beating (from those slightly sharpened octaves). If the strings still beat on their own with the duplex muted, then a light seating at the bridge is normally all it takes to clean them up. Of the 5 pianos I tuned today, there was only one string in the treble of one piano that was a little false, even after seating on the bridge. Seems like a reasonable percentage to me. Of course these were new instruments, so your results may vary. The Kawai grands destined for Europe are normally voiced much brighter than for North America. This may explain some of the difference between your experiences and ours. (I wouldn't think that the Kawai pianos are brighter than the Yamahas, though) Hard hammers and bright tone do tend to excite the duplex and aliquot scales more stongly, so I would still suggest that you try muting those string sections during tuning. Don Mannino RPT, Manager Kawai Piano Technical Support, US and Canada
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