At 08:12 PM 6/15/96 -0600, you wrote: > > Le> From: Les Smith <lessmith@buffnet.net> > Le> Subject: Re: bass to treble break problem > > Le> tell us where and how the weights should be attached to the bridge in > Le> the case of a vertical piano? Thanks very much. > >Maybe you have seen the Fandrich upr. on display at one of the national >conventions. From the back side of this piano you can observe a large round >weight attached to the soundboard. I don't remember exactly where it was >attached but it may have been near the end of the tenor bridge. You could >contact Del about this. I have seen rebuilders use this on grands. I have >never tried it myself. >I wonder how the tone is, compared to other notes, when the strings are pluck- >ed with a fingernail? If the problem is worse when played than plucked then >perhaps some voicing of the hammer would help. > I've seen a small/medium brass weight under the low end of the tenor bridge of a D.H. Baldwin (ick!). All things considered, I couldn't tell if it improved ANYTHING in this instance. >Bye the way I have a problem with a teachers Kawai grand that I have done an >estimate to do some voicing on. The first 3 or 4 notes above the tenor/treble >plate strut have very bad sustain time when plucked or struck. She has not >mentioned it as a problem but she will no doubt be listening more carefully >after I do the voicing. Any suggestions for me on what I might check to help >these notes sing like their neighbors? > >Scott Johnson >scott.e.johnson@24stex.com > Check the soundboard crown with a string and flashlight underneath. I've found a lot of them flat in this area. Don't trust a downbearing reading from above, it won't tell you enough. Get out and get under to see for sure. Do you get an odd muddy sound distortion on a hard blow in this area along with short duration? <insert sound> When I hear that sound, I crawl under and check. If it's flat, forget the voicing problem! P.S. How do you do a real-time sound attatchment to E-Mail? Ron Nossaman
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